Surface Connection explores the concept of queer space, the non-human, and their relationship to queer bodies through a series of audiovisual intra-actions where we touch/excite surfaces and objects.

Through this performance, we investigate the question of how “queering” happens when non-human and human bodies intra-act with one another in a complex audiovisual ecosystem. We channel our camp sensibility and create performative actions by collaborating with the non-human. We ask how we are informed by our more-than-human companions and how these collaborators inform our decision-making in an improvised practice.

We use real-time signal processing tools such as modular synthesis systems, video/audio mixers, and transducers. We get close to the action of touching/exciting/vibrating matter through our macro lenses, contact microphones, and antennas for electromagnetic listening. We set up reflective surfaces such as mylar, survival blankets, and balloons as environments to perform and to create a space that has the qualities of reflection and diffraction. We collaborate with vibrators, tuning forks, a rotating ratchet, unicorn horn dildo, desk bells, milk frothers, bell peppers, voice, and fingers to shake/wobble/resonate the surfaces.

Initially started as a “performance for the camera” practice at the Signal Culture, we expanded our collaborative language into a live performance form during our residency at PACT Zollverein. Surface Connection was most recently performed at the Ann Arbor Film Festival in March 2023.